Through this Venky Atluri directorial, Akhil Akkineni has formally been set the layer to yield over the Romeocharacters that his father-actor Nagarjuna has expert in. It can't get furtherauthorized than this, after he's mentioned to his grandfather and father's iconic movies in anemotional that recites 'Devadasu manavado, Manmadhudike varasudo'. Though, further than the playboy side to Akhil, it's his performingcourage that influences in Mr Majnu, the greatest. The movie is evidence to Akhil's impending of age and serenity as aperformer, giving his self-confidence to handle a faultless masala outing.
Vikram Krishna (Vicky) performed by Akhil, is a heartthrob at university, a market leader with teenagers, so ample so that they combat to be his 'girlfriend'. On his coming back to India after finishing his qualification, he sees Nikitha (Nikki),Nidhhi Agerwal,in a journey. After primarycontact, Vicky and Nikki get anenhancedreason to go out together understanding that both their cousins owe to wedshortly. The affiliation then earnsnumerousspins while Nikki is at the acceptance end with Vicky's commitment problems.Director Venky attempts a bit too hard to plan the playful side to his mainappeal Vicky and the stablereferences to Akhil's 'glamour'.
The movieoriginates into its specific only in the family-drama sections, wherever you grasp the 'gentlemanly' facet of Vicky. The actualwonder is the modestact of Akhil Akkineni at this time; he's exceedinglywell-organized in arresting an expressivetriad.There's more or lessenergy in the events with Overexcited Aadi's entry in the subsequent half, his bitter-sweet calculation with Subbaraju confirminggigglesabundantly. The interpretation by avivaciousform of a two-year-old childmarks for some identicalappealingstructures too. Certain twist of fate to the appeals, similar that of Priyadarshi, who grieveseach time Akhil says a falsehood, complementessence to the movie.
The conversationsstay to-the-point and the substitutedesigns complete the story fine, however the cordaroundmovie piracy could have been incorporated better into the storyline. Mr Majnu could have even remained a crunchiermovieif the filmmaker eluded those long action sections. Nidhhi Agerwal come to bein ample of screen space to display her opportunity but doesn't mark any impression as aperformer.It's Akhil who escorts this stony ship, whereasmusician Thaman relics the anonymousidol of the movie for its tremendous music marks. Be it dynamism, song or a sense of serene, Thaman's composition is a faultlessbroadcaster to the movie's story. The film may not be as heart-warming as Tholi Prema, but has allfundamentals in it to mark for an appealinglookout at the cinemas.